
Selected Exhibitions
Solo & Group Exhibition from 1993 – 2017
SELECTED SOLO EXHIBITIONS.
2014: Vierraumladen Galerie Berlin Germany
2013: Vierraumladen Galerie Berlin Germany
2002: l’Alliance Française de Vancouver BC Canada
1999: Portraits from Bambala – The Cellar Jazz Cafe Gallery – Vancouver BC Canada
1998: Foliage of Time I- LageHaus-Bremen Germany
1998: The Matrix of Consciousness II – French Cultural Centre Vancouver BC Canada
1997: Exhibition titled ” The ephemeral measure “. The Donut House Co. Gallery, Vancouver, B.C.
1996: Exhibition titled ” The Matrix of consciousness ” University of Montreal Quebec. Foyer Marie Gerin-Lajoie.
1995: Exhibition titled ” Earth; a Perennial Passage ” The Alliance Francaise de Vancouver; Vancouver, B.C.
1993: Exhibition titled ” Convolutions of the Psyche ” The British Council Yaounde Cameroon.
SELECTED GROUP EXHIBITIONS:
1997: Fourth International Conference of the Visual Arts. Simon Fraser University, Harbor Center. Vancouver, B.C. Round House Community Center.
1996: Exhibition titled ” The Matrix of Consciousness I “ With Carlyle Matthew, The Amelia Douglas Gallery. Douglas College; New Westminster Vancouver; B.C.
1995: A contemporary Exhibit of African and Canadian Visual Artists; The Quick House of Jazz, Beatty St. Vancouver, B.C.
1995: Contemporary Exhibit of African & Canadian Visual Artists; The French Cultural Center Vancouver, B.C.
1995: Contemporary Exhibit of African & Canadian Visual Artists. The Harrison Festival of the Arts & Music.
1995: Contemporary Exhibit of African Visual Art. Pacific Cinematheque; Vancouver, B.C.
1995: Exhibit of Contemporary African & AfroCanadian Visual Artists; Sub Art Gallery; University of British Columbia. Vancouver, B.C.
1994: Exhibit of African & Afro Canadian Visual Artists. The Gallery Lounge University of British Columbia, Vancouver, B.C. 1994: Exhibit of African & Afro Canadian Visual Artists; The Royal Museum of British Columbia; Victoria; B.C.
1993: A saloon of Cameroonian & Canadian Visual Artists; The French Cultural Center Yaounde; Cameroon.
1993: A saloon of Contemporary Cameroonian Visual Art. The French Cultural Center, Yaounde Cameroon.
1993: Saloon of Sculptors & Painters. Hotel De Ville Yaounde; Cameroon.
Selected Public Commissions & Collaborative Work.
1995: Mural Commissioned by the Coastal Jazz and Blues Society; for the annual Du Maurier Jazz Festival; Vancouver, B.C. in Collaboration with Claudine Pommier, Jeanie Kammens and Khadjeda.
1994: Mural Commissioned by the Downtown Vancouver better Business Improvement Association. In Collaboration with Thomas Anfield & Richard Tetrault.
Several Public Workshops and Presentations; In Vancouver and in Montreal, has also appeared in the Film African Brush Strokes, a Documentary by David Pettigrew published by Temple Films Vancouver. B.C.
Projects & Exhibitions
Brief Synopsis on Exhibitions & Projects
The Quantum Dance I & The Invocation Idioms, Project 2017
The Numinous Themes & the Evocation Idioms II – 2014.
The Numinous Themes & the Evocation Idioms I – 2013.
Frequently Encountered Questions
Some definitions, key concepts and answers to common questions
How do we perceive a thing? What & who is it that is perceiving? What is it to perceive beyond the realm of thought & thinking?
mid 16th cent. (in the general sense ‘quantity’): from Latin, neuter of quantus. In Physics, a discrete quantity of energy proportional in magnitude to the frequency of the radiation it represents.
mid 17th cent.: from Latin numen, numin- ‘divine will’ + -ous.
adjective:
having a strong religious or spiritual quality; indicating or suggesting the presence of a divinity: the strange, numinous beauty of this ancient landmark.
Synesthesia; the production of a sense impression relating to one sense or part of the body by stimulation of another sense or part of the body.
ORIGIN
late 19th cent.: modern Latin, from syn-‘with’, on the pattern of anaesthesia.
The arrangement or disposition of people or things in relation to each other according to a particular sequence, pattern, or method: I filed the cards in alphabetical order.
ORIGIN
Middle English: from Old French ordre, from Latin ordo, ordin- ‘row, series, rank’.
ORIGIN
late Middle English: from French mythologie, or via late Latin from Greek muthologia, from muthos ‘myth’ + –
A particle representing a quantum of light or other electromagnetic radiation. A photon carries energy proportional to the radiation frequency but has zero rest mass.
ORIGIN
early 20th cent.: from Greek phōs, phōt- ‘light’, on the pattern of electron.
ORIGIN
Middle English: from Latin abstractus, literally ‘drawn away’, past participle of abstrahere, from ab- ‘from’ + trahere ‘draw off’.
ORIGIN
late 19th cent.: from French hypnagogique, from Greek hupnos ‘sleep’ + agōgos ‘leading’ (from agein ‘to lead’).
ORIGIN
late Middle English: from late Latin confluentia, from Latin confluere ‘flow together’
ORIGIN
late Middle English (in the sense ‘womb’): from Latin, ‘breeding female’, later ‘womb’, from mater, matr- ‘mother’.
ORIGIN
late 16th cent. (in the sense ‘quality of being identical’): from late Latin identitas, from Latin idem ‘same’.
“Perceptions & apprehension of different layers of reality are a common intertwining & interweaving thread of entangled relatedness, a connectedness between things and the nature of things.”
“Decoding these symbols, may unravel & unlock their embedded meaning & impart derivative context, connecting them with personalised experiences to create or evoke holographic maps with variegated subjects & themes that may cover, philosophy, myths, religion, mythology, music, art, poetry, science & other every day life objects & subjects.”